Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Fedor Rokotov 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
60589 Alexandra Struyskaya Fedor Rokotov Alexandra Struyskaya Alexandra Struyskaya. 1772
60602 Anna Yuryevna Kvashnina Samarina. Fedor Rokotov Anna Yuryevna Kvashnina Samarina. Anna Yuryevna Kvashnina-Samarina. 1770s
60588 Catherine II, Fedor Rokotov Catherine II, Catherine II, 1770
60587 Count I. G. Orlov. Fedor Rokotov Count I. G. Orlov. Count I. G. Orlov. c.1762-1765
81935 Grand Duke Constantine Pavlovich of Russia Fedor Rokotov Grand Duke Constantine Pavlovich of Russia   
60604 Lady in a White Cap. Fedor Rokotov Lady in a White Cap. Lady in a White Cap. 1790s
86089 Portrait of an Unknown Woman in a Blue Dress with Yellow Trimmings Fedor Rokotov Portrait of an Unknown Woman in a Blue Dress with Yellow Trimmings 1760s. Oil on canvas. The Tretyakov Gallery, Moscow, Russia. Date 1760s cyf
80386 Portrait of Anna Yuryevna Kvashnina Samarina Fedor Rokotov Portrait of Anna Yuryevna Kvashnina Samarina 1770s Medium Oil on canvas cyf
3567 Portrait of Catherine II Fedor Rokotov Portrait of Catherine II 1770 The Hermitage, St.Petersburg
75760 Portrait of Nathalie Petrovna Golitsyn in a white cap Fedor Rokotov Portrait of Nathalie Petrovna Golitsyn in a white cap 1790s Oil on canvas cjr

Fedor Rokotov
Russian Painter, ca.1735-1808 Fyodor Stepanovich Rokotov (Fedor Rokotov) (Russian: ?????????? ??????????́?????????? ????́??????????) (1736?C1809) was a distinguished Russian painter who specialized in portraits. Fyodor Rokotov was born into a family of peasant serfs, belonging to the Repnins. Much in his biography is obscure. He studied art in Saint Petersburg Academy of Arts. After buying back his freedom in the end of 1750s he became established as a fashionable painter. In 1765, Rokotov was elected an Academician, but he did not work as a professor in the Academy long, because it interfered with his painting. He returned to Moscow in 1765, where he lived for the rest of his life. He had a lot of commissions there, becoming one of the best portrait painters of his time. Among his best-known portraits are Portrait of Alexandra Struyskaya (1772), sometimes called the Russian Mona Lisa and admittedly the most celebrated piece of the 18th-century Russian painting; Portrait of Countess Elisabeth Santi (1785), and Lady in a Pink Dress (1770s, illustration, right). Rokotov avoided painting formal portraits with lots of adornments and decorations. Instead he was one of the first Russian painters advancing a psychological portrait with attention to optical and atmospheric effects.
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